all hands on deck!

well, so it begins. saturday night we shut up shop and were ready to re-open the new CHAPTER by tuesday. in the gap in between were two days of solid hard work! sunday i got a sort of lie-in (till about 9.30am, which for me is a late start on a sunday!) but we needed it, it was a whole two days of lifting, moving, cleaning, sorting, constructing, chucking out... and not much sitting down. the bloody wonderful lex did a lovely thing and cooked dinner for everyone on the sunday, it was only a bit of chilli or a bagette and chips but it was so appreciated. we all worked so hard those two days getting the place straight for the opening on the tuesday morning that i sat down at home and just fell asleep on the sofa. tuesday morning was inevitably HARD what with a million people asking questions / making approving noises and us lot trying to work out where we'd put everything ("where are the bins? oh yeah, they forgot to buy bins..." etc) but it was a good tired, like when you've done a good job.

on tuesday night i invited a few people down for a drink so i could have a go and see what it was like to actually enjoy the place. i've spent almost two years helping to plan chapter and going in and out of the building site only to then spend time running around setting it up but didn't know what it was like to just sit and enjoy the space and decide if i really liked it or not! thankfully i did. i went with the lovely miss ginny head and beautiful spooner to see the DOTS SHORT FILM BAND play music alongside some local short films, most of which were quite beautiful and lovely. the brilliant ewan morris jones had a film he'd worked on years ago based on a short story by a jorge luis borges that had some wonderful ideas in it and showed off what a great film maker he is. the biggest surprise was what the composers did to ginny's former art in the bar installation "we are not what we seem". the lead composer described what she did and it sounded interesting but i did not feel it worked and of all of them i found it a little disappointing. afterwards i sat and had some food with steen and some drink with casey, ewan and leila, duffy and the lovely rhodri viney, who gave me a cd of his new work which i was very excited to receive. it was a shame that they still haven't got the speaker system in place as it felt odd sat in chapter with no beautiful music playing but a lovely evening and a bloody good way to have a nice relax.

i did sort of get escape (although i dunno whether looking after full cinema's worth of teenagers is really an escape) when i ushered for the national schools film week's screening of SHIFTY. i remember it being advertised to look a bit like a guy richie gangster film but it was more mike leigh than guy richie. it was an authentic day in the life of an east london estate where a muslim drug dealer shifty has his beat. his best mate has come down to visit after a long absence and found him much changed from the "brightest kid in school" he once was. they spend a day avoiding his devout, successful brother; an addict who is ruining his life in the persuit of one more hit; the police; and his future. shifty has spent the past few years descending further into this life and his mate chris seems a little shocked about how he's ended up like this. he makes a few subtle hints that he does not approve but there seems to be some guilt that it maybe his doing that he has ended up like this. i was a bit worried when SHIFTY started as the first few scenes graphically showed people taking hard drugs and with coachloads of teens it gave me an uncomfortable feeling in my stomach that it wasn't going to be appropriate or that i wouldn't know how to deal with questions afterwards but by the end of the film i felt safe that they had gone on a journey with shifty and discovered that this stupid, seedy life is for idiots and fuck ups. it wasn't patronising, it was honest and felt real. the relationship between daniel mays and riz ahmed as chris and shifty truly shone through and they had real chemistry, related to each other in a way that i felt those kids were totally going to get. a really good choice from the film education board.

wednesday was an extended ushering day as i was asked to do the 6pm and 8pm as well as my normal matinee. first up was the new version of DORIAN GRAY. i loved the old version with angela lansbury and this unfortunately, did not manage to top it. as vapid as the character is, the subject should not be treated in such a light manner. it was a glossy remake and i did not think it was possible to make the story of a man who commits every sin imaginable dull, but dull it was. they also managed to make him seem not quite so queer, which seems like almost a feat. the famously gay novel written by oscar wilde which was even used in the prosecution case against him in france, turned into a sort of tame modern beautiful costume drama. they'd changed some of the characters around, pinned down the setting a little too clumsily and stretched the story a little too thin. its a great archetypical tragedy but it felt trapped in its new form. it wasn't unwatchable but it was a big disappointment. at times i longed for francis ford coppola's version of DRACULA as that outlandish camp film seemed a more credible an example of hedonistic victorianism.

next up was 500 DAYS OF SUMMER. i'd been quite looking forward to this, being a big fan of joseph gordon levitt since i realised he'd grown up to be actually quite a nice little actor in greg araki's MYSTERIOUS SKIN. zooey deschanel is in it too, her of the "eyes dewey and wet like a baby seal" (which is one of my all time favourite hyperbolic quotes) and it promised to be an alternative to those gooey sit com romances that tend to be ten a penny these days. ooh for the days of smart rom coms that have never seen the green biro of richard curtis. well, it certainly was not a disappointment. in fact, there seemed to be an almost uncomfortable amount of facts that were very similar to my own life. i'm sure i'm not alone in this, i know many people who have had similar experiences, but it was almost creepy at times. tom (jg levitt) went to university to study architecture and couldn't get a job so ended up working in a boring office job but yearns for escape. a beautiful girl with a lovely smile called summer starts working in his office and when he notices enough small coincidences (they share a sense of the absurd and both like the smiths) he convinces himself that she is THE ONE and falls hopelessly in love. it won't spoil the movie if i tell you that she ends up breaking his heart because we find this out in the first scene. what director marc webb has cleverly done is to zip back and forth over the 500 days she was in his life to give a full vision of the relationship, to examine what went wrong. it gives the impression of what we all do after a break up. we see tom's initial shell shock at being dumped, we see the heady days of tripping around to our own soundtrack in a happy daze, we see him being severely depressed once its all sunk in and we see the first day of meeting summer. although it could get a little tiresome (i'm not sure i entirely believed in his little greek chorus of friends and family and sometimes i wanted to know a bit more about the distant, glacial summer) when it was good it was very very good. there were perfect little scenes such as visits to ikea where they imagined living in the fake rooms and a party that switched to split screen where tom's expectations and the reality played out heartrending and without dialogue. i used to really like romantic films before they started treating women like idiots who obsessed with getting married and wearing the right clothes. hopefully this will encourage people to make more films with a bit more of a bite.

last up was ARMY OF CRIME, which told the tale of the french resistence was a sort of antidote to the more brash, hollywood INGLORIOUS BASTERDS. now, i must first make a confession. as much as i do take a keen interest in history and have watched many "war" documentaries with benny my knowledge of the french resistence is mostly coloured by having been a big fan of ALLO ALLO as a child. as much as i engaged with this wonderful, illuminating film i was secretly hoping for a cameo appearance of the madonna with the big boobies. sorry, very childish. i was listening out for the fake french accent of the police officers, paying keen attention to fat french restaurant owners and wondering where the two RAF officers were stowed in this episode. its sometimes so much easier to deal with difficult things if we make them flippant comedy than if we try to examine real emotions. the difficulty the french find with their history in world war two is legendary and also very understandable. at times this film felt more like THE LIVES OF OTHERS, the french - german alliance where neighbours inform on neighbours and the police are working for the nazis, it was a frightening time to be living in france. many thought that it was better to collaborate and try to preserve france where others more perceptive knew that it was impossible to collaborate, that the nazi ideaology would wipe them out eventually one way or the other. having seen KATYN earlier this year, about the polish nation's problems in a similar vein, this film serves as a poignant accompaniment. again, a true story, it follows the men and women who were on a famous poster put up in france mocking their attemps to turn the tide on the nazi regime, a propaganda attempt to turn the perception of these people from freedom fighters to dangerous criminals. it centred on armenian immigrant missak whose initial reticence at joining a group who are willing to kill slowly disippates due to the circumstances surrounding him. he becomes the heart of the group, a strong presence who knows what evil the nazi army can do (they all but wiped out the armenians) and has the experience of age to guide the young hot headed members of the resistance. the vichy government are leaned on by the nazis to wipe out this force and slowly and inevitably, the net catches all the members, leading to the line up and the famous photograph. it is fittingly human that under such inhuman times the betrayal was so banal and the characters who told on them so unheroic. a question every school child must have asked themselves when they study history is "would i or my family have been involved in this?" and it is important to have films like this to show the very real people who fight back against monsters like the nazis.

to crown off the first weekend in the new CHAPTER we hosted part of the SWN festival and the entire MAY YOU LIVE IN INTERESTING TIMES. i was a bit worried that we were hosting two festivals in one weekend, especially since one was named after an old japanese curse but it was all fine. all over chapter there were rooms filled with conferences about art forms today. i listened in on a couple and they all seemed really useful. its one thing to come up with an idea, another thing entirely about how to make money out of it. lots of different aspects of the art world were discussed and it was also nice that people were coming up with ideas and contacting each other and making friends. its what chapter was designed for! brilliant fun and i met so many lovely people. unfortunately it was only listening in and checking things were ok because i was working all the way through, no chance of getting time off when its all hands on deck! i wouldn't miss out on too much swn though. i was really excited about this not only because its a brilliant music festival and i get to see a whole load of bands but also because it would test us out to see how well we can do under the pressure of a billion people in the building. happily, it was all fine. a few oldies who didn't understand why we weren't doing the normal gorgeous menu, but apart from that everyone seemed to love it. i had a brilliant time working upstairs in the theatre. i was ushering and sort door control lady but it was a lot more fun than that. we were holding it in two rooms, the newly monickered "common room" in the west wing and the theatre. on thursday we had the bbc in with adam walton and bethan elfyn with bands like SCIENCE BASTARD and MARINA AND THE DIAMONDS. vern from science bastard decided to launch himself into the crowd mid-song and snog steen but in his place i would have done the same thing. they are bloody entertaining boys. marina and the diamonds were my favourites of the evening after that, having a great pop sound and a really interesting female vocalist. it all went suspiciously well, no disasters and no problems. curious! we had the lovely jenny and rich from that london down to visit and i was sad to be working all weekend but we got to spend some time relaxing on friday afternoon. i took the to the micro makers fayre, part of the MAYLIIT events. there was a man who made bikes that played a tune as the wheels revolved; a lovely lady who had a stall where you could make revolving paintings; badgemakers, knitters and my friend zoe who was getting you to cycle to power a blender that made smoothies. fantastic! we had a look at the EDDO STERN exhibition in the new gallery and we were all blown away by the beauty of the sculptures and laughed at the world of warcraft inspired animations. we popped into town for the SWN BINGO where we were frightened to hear exactly what FOGHAT sounded like in order to recognise them and didn't win but had a lovely time (thank you jonny et al). then i dashed back to chapter but thankfully friday night at swn was just a breeze (if you excuse the pun). it was the PEPPERMINT PATTI night and it was one i was really looking forward to as it was a sort of "greatest hits of patti" night. it also featured a first for patti, the performance by a solo MALE artist, our brilliant theatre programmer JAMES TYSON. i had never heard james perform so i was really curious to see what sort of thing it would be. his songs were beautiful and delicate pieces about love and yearning. gorgeous. in the common room space they i also caughta bit of the beautiful PAPER AEROPLANES, a ethereal folky loveliness floating up the corridor. soon after in the theatre it was the riotous KING ALEXANDER, who were brilliant as always. laura was the artist co-ordinator for swn in chapter so it gave her a good break from stressing about the bands to jump on stage and yell for a bit! EMILY BREEZE was on a while after and i was surprised by h0w much she had changed. when i last saw her. the cracked, edgy performance had a sheen on it that was not quite expecting and i'm not sure if i approve of yet! i'm still mulling it over, its difficult to look at emily breeze and her amazing, sexy performance and try to separate it from the music, she is so charismatic. WETDOG were amazing as always, they get better every time i see them and they are all so lovely. the night was topped off by a great, techinicolour performance by the VICTORIA ENGLISH GENTLEMANS CLUB who decked the stage in bunting and flowers and painted their faces like clowns gone wrong. i really like their angular, biting take on indie pop and i'm glad they're doing well. wish i'd been able to bring frankie down to see them play... but my highlight of the day was dancing with my friends davida's baby alba and martin and mary's baby sonny. the three of us were throwing some shapes in the theatre foyer and for me that was better being in a packed out gig any day. great fun. saturday was an all day swn event and it started right in front of my eyes with swn-mo wrestling in the entrance to chapter. it was great watching kids and hungover adults (including WETDOG) with perma-grins get suited up and bump into each other. there was also the OXJAM record fayre where i spent £20 on a massive bag of records. on a quick break from the box office i went and saw the PAST COLLECTIVE perform a wonderful piece in cinema one. on the screen were various welsh landscapes and the musicans on the stage beneath trying to articulate the memories of that place in their performace. it was really moving and i felt so proud of them. after my shift i hastily trod up to the theatre to take my place again at the final swn night. luckily it was lovely promoters liz and ryan from LOOSE. their gigs always brilliant so it was a treat to be their usher. throughout the night though a problem was looming: BROKEN FAMILY BAND. it was their last ever gig and word had got out. lots of people had bought day tickets just to see them but the swn wristband holders had priority. what if 200 wristband holders came over for the gig and we had to let down 100 day ticket holders with stamps on their hands?! ahghg! we were trying to warn everyone that were buying the day tickets but it didn't seem to put anybody off. as the day wore on and as we were getting closer and closer to the show the theatre foyer was filling up with people who i swear would have elbowed their granny out of the way to ensure a space. i decided to split the room prior gig into wristband holders and ticket holders. when the moment came i made a big announcement to make sure they separated and with some help from old mucker usher clive we managed to get them all in without breaking any laws! when the band started i was so full of adrenalin and relief that i just sat around dancing and didn't go in to watch we packed up shop, set up the merch stall for the band and relaxed for the first time in days. after they finished a very excited 10 year old girl, eyes big as saucers told me how the lead singer had shook her hand! no partying for me that night, i sloped off home with my honourary wristband on that laura had given me and went home for some much needed sleep.

sunday i met my family for lunch as it was my nan's birthday and she liked her chapter soup, thank god! i was stressing about the lack of a sunday lunch (we're starting in november) and then i ushered for CREATION, the new film about charles darwin. it was an unexpectedly sad tale. i was expecting him rushing off the beagle to prod some birds and then fighting off the critics when his book is published but this was the story of what happened in between. he was married to a devout christian and his wife was not happy with his findings. they lost a daughter, who he paints in his visions of her as being highly intelligent and full of curiousity. his daughter's death haunted his thoughts in more than just the fact of her death. her ghost teases him, chastises him for not publishing his book. the film gives the impression that his agonies over his daughters death caused a textbook case of transference, a future echo of another thinker that shattered our perceptions of life, sigmund freud. it was a strange film with some beautiful scenes and very well photographed but did seem to be more in support of freud's theories than an explanation of how darwin came to his.

after this i slid in to cinema two where chris buxton was doing a talk on the MOVIE MAGICIANS OF EARLY CINEMA. this time is my favourite period in film, an exciting time where anything could happen, cinema could have easily been just another circus attraction but instead took over as being the most popular and democratic art form of the 20th century. chris buxton was a wonderfully enthusiastic lecturer and really gave you a feel for how precarious this period was for film. he showed all sorts of gems of early special effects, including some things i'd not seen before but only read about such as DREAMS OF A RAREBIT FIEND, a trippy film by edwin s porter about a man who has too much cheese before bedtime and then dreams he is flying over new york. he artfully demonstrated how it had started as vaudevillian stage craft and gradually became more artful and relied less on what went before and more on what it could be. he showed plenty of melies, including one i'd not seen before of him becoming a whole band by overlapping the film and it was so fantastic to see all those films on the big screen.

after that it was off to the last swn party, DIM SWN, held at gwdihw. it started in the afternoon but i arrived at about 7pm just before MEANZ HEINZ started. they are so great and it was a treat to be able to spend time with jenny and show her this amazing band, that the musicians regard as a silly side project. i think they're in my top 5 cardiff bands! we had a chat with casey, ewan and lovely ben the cameraman for a bit and then settled to watch NIWL. steen had seen them at some other gwdihw event whilst i was working and told me they were great but i wasn't expecting to be just fall so quickly. amazing surf rock that had me dancing away and humming all the way home. it was so nice to just relax, even it was for a couple of hours! dim swn was such a great event, it felt like some sort of village fete, all cosy and full of family. it was a great way to end the festival and a very busy week.

are we not men?

sunday's JUNKET CLUB began the "week of amazing fun" TM. this month's junket club was in CARDIFF MUSEUM, we were given a tour by our unreliable guides ben and elis. unreliable as in pointing at a picture of a man in restoration garb and declaring "this picture is an early portrait of tom jones..." type tour content. the jokes were a lot better than that though. we were first given colour co-ordinated dinosaur stickers to designate which tour we would be going on, another lovely little touch from lisa and ben. shamefully enough i'd not actually been properly to the art gallery, only really to see the bi-annual artes mundi exhibitions. for shame! its actually a really good collection and the building is beautiful. we vowed to come back and do it proper. after this elis did a turn, mildly embarrassing me when i signalled that i'd been to the dino exhibit when i was a nipper in the 80s and talking a lot about oakwood park. he is a handsome, talented chap. next up were GINGER AND BLACK, a sort of flight of the concords-style duo comprising of a black man and a ginger lady. they were awkward and funny. we had a break where we were treated to lisa's ace cakes and had a chat with our friends chris evans and carl chappel and headed upstairs to the law courts, an imposing looking dark wooded room where we were treated to LLOYD WOLF, a proper comedian who travelled from london via neath to treat us to his potential edinburgh show which is rejected versions of his show. it was great and it got us doing games like texting the last person in our phone odd statements and seeing what their reaction was. mine was steen, so that was boring, but one girl had a bloke who didn't have her in his phone and he got quite aggressive. brilliant!

monday was movie night! we went to see LET THE RIGHT ONE IN with the patti ladies and our friend david deans and on our own went to THE DAMNED UNITED. let the right one in was one of those movies that i'd heard rave reviews about and was afraid that it would turn out to be a bit disappointing but i needn't have worried. it was one of the most haunting, beautiful, creepy films i've seen in a long time. it was about a teenage boy in 70s sweden who is getting routinely bullied and dealing with his parents' break up. along comes a neighbour with similar feelings of alienation and isolation to release him from this misery, unfortunately the neighbour comes with her own problems. rather than being 12 she is an unknowable age but has just been 12 for a very long time. this was a vampire story told very straight and full of beauty and sadness. rather than a glamourous fantastic life, you feel eli's hunger and loneliness. THE DAMNED UNITED was an enjoyable romp. i don't know much about football and i didn't really need to know much to enjoy the story, which was a relief. this was more about brian clough's relationship with his team manager and his rivalry with leeds united's manager who bred a team of dirty winners. i love timothy spall, he's always great to watch and michael sheen did a great version of clough. the only criticism i would have is that it seemed like almost exactly the same story as FROST NIXON in places, written as it was by peter morgan, there was even a late night phonecall which may or may not have actually happened.

on tuesday we went to an under-attended electronica gig at clwb with ANTONI MAIOVVI and ZOMBIE ZOMBIE. i think there was about 4 people there including us for antoni maiovvi. he played a set that sounded a bit old fashioned, it idled by well enough, if the crowd was right i'm sure it would go down well it really needed a massive field full of people to take off. ZOMBIE ZOMBIE came on and blew the boredom away. there was a bit more of a crowd for this, but still by no means full. one looked like a mad scientist and the other proto geeky indie boy but were both more interesting than that. indie boy was on the drums and mad scientist was tinkering behind a stack of synths and effects buttons that pleasingly reminded me of seeing pet shop boys and erasure on the tv as a nipper. the beats were erratic and urgent and the last song brought up thoughts of a zombie apocalypse with screams and paranoid synth sounds. they were great! they also had great merch. i really wanted to buy lots but funds being tight i just bought a bag that is so cool i might have to send it to the wife. i am developing a slow burning love of tote bags.

the next day was the day of DEVO! we caught an early bus to london and given the gift of nice weather decided to have a wander down to exhibition road, home of the NATURAL HISTORY MUSEUM. steen hadn't been since he was a kid, which i was amazed by. the tate and the natural history museum are my most visited london landmarks, i always seem to incorporate them into my list of stuff to do every time i go. i showed him my favourite bit in the whole museum first, which is a tree from the petrified forest. i know it was created over millions of years but to me its still a work of magic. staring at the truck and counting the rings, all hardened minerals and a spectrum of reds just gives me goosebumps. we went into the dinosaur exhibit (which i still don't think is that great since they modernised it) and saw children crying at the animatronic t-rex. we then played in the hall of mirrors and went around the taxidermied mammals, ending up in the whale room and then up into the darwin exhibit. the animals are all great but the building itself is always my favourite, its so beautiful and i always notice something different, like the monkeys built into the rafters. amazing!

we then went to the VICTORIA AND ALBERT MUSEUM. to my shame i have never been inside before and we didn't have much time to look at it this time either. we did a quick look at the classical sculpture section, looked around the fashion exhibit and then spent proper time in the photography room. i was stunned to find the scream house, a bygone cardiff landmark in riverside, the first photograph when we entered the room.

but onward to DEVO! the gig was in the forum so we got off the tube and tried to find reasonably priced food. we were in london so presumed this would be impossible but found an amazing ichiban-style japanese restaurant with fantastic noodles for about the same price! then we went to the pub for a bit to see our friends jenny, jack and jenny and alex. it was lovely seeing them again and we had a good ol' natter. after a couple of pints and the sunny weather i was feeling warm and fuzzy and incredibly happy and all this was before devo! my excitement was growing and growing. we got to the venue, took our places and found it easy to get to the front. ROBOTS IN DISGUISE were the support and although they get criticised for being a bit inconcequencial and only famous for being involved with the mighty boosh but i've never seen the mighty boosh and i don't care, from what i saw they did a few ace pop songs and they had men dressed in cardboard robot outfits. surely, that's ace, right?! i enjoyed them. the crowd started to get burlier and drunker. these people are here for devo? i thought only geeks like us liked devo, there certainly was no-one who liked them when i was at school, only when i lived in the US did i find anyone who liked devo and again, they were geeks like me. this bunch of neanderthals seemed like they'd stumbled in from an oasis cocert. we were suddenly surrounded by 50 year old men on a devo trip like it was a rugby outing. ugh. i started to get a bit aggressive with one of them in particular when he started pushing me in an attempt to start an early mosh pit and resting his arm on my head, dislodging my glasses. this brought back horrendous memories of being at the front for ash in reading festival when i was almost crushed and i lost my glasses. not wanting to risk such a scarring moment a second time i relinquished my place at the front with steen and we hung back a bit, just in time to avoid a massive mosh pit. my expectations of the crowd shattered at least my expectations of devo were intact. they began with a video for an early single "secret agent man", one of my favourites that used to get played on oldies 101 fm in eastern washington! i was very excited. they played the entire album of "are we not men? we are devo!", an album i've heard over and over and so that made me very happy. there were lots of people wearing energy domes on their heads and i met two nice ladies in queues who were similarly excited about the gig. a very very very good night. we then went to meet jack at jenny's house and went to the west bank where he lives in a jewish area. i'm not kidding.

the next day we went with jack to check out the SAATCHI MUSEUM in sloane square. i'd read in the sunday glossies about the exhibition NEW MIDDLE EASTERN ART and thought it sounded interesting but wasn't prepared for how good it would be. it was on many different types of media, all expressing a myriad of ideas and emotions about what it is to be middle eastern, to be themselves, it was great. the list of favourites is long but the ones i couldn't get out of my mind were the out of focus photographs by halim al karim, the sculpture of women praying by kader attia and the sensual collage photographs by ramin haerzadeh.

we got on the bus back but didn't have much time to cwtch the cat before we had to head to buffalo to see some bands LOOSE and LESSON #1 were putting on EXPERIMENTAL DENTAL SCHOOL and a couple of other bands tba. the tba was due to the fact that both the supports had had to pull out, meinz heinz due to steve being in west wales working on euros childs' album and king alexander cos simon had a poorly throat. i was excited about the gig for the supports alone so was a bit disappointed but then we managed to help RIFFMONSTER on the bill, a new project with steve from zail, tom raybould (aliases are many but does electronic music and owns acoustic wallpaper) and andy fung from cymbient, no thee no ess and way back when derrero. they were very math rock and it became intense and interesting, a very good first gig. PRETTY GIRLS i didn't see much of but quite enjoyed their noisy lads-in-bad-drag act. EXPERIMENTAL DENTAL SCHOOL had good songs and a nice bit of twiddly mathy guitar and urgent beats but my interest waned a bit, but that might have been the tiredness from the already ace week.

the final bit of joy for the week was the CHAPTER MAIBOCK. twice a year chapter bar puts on a german beer festival and very popular it is too. this one rocked. it was so busy people were queueing out the door and around the corner and we had to have a one in-one out policy! for a space less than half the size we used to have we took about 80% of the money, a fact that all us staff were very happy about. it showed off chapter's bar at its buzzing best and all of us spent the night with massive grins, running around busy but happy. i am getting butterflies in my stomach thinking about how great things are going to be when the building work is finished.

and that ended our "week of amazing fun" TM but then these days i seem to have a lot of fun most weeks!